top of page
True north compass True North compass logo with a bold, stylized north arrow pointing upwards.

C A N N O P Y

Art is True North

  • image_processing20210629-17620-1uwdtt3
  • Instagram
Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

The Home Universe: What Makes the Object

HOMEPAGE SLIDE SHOW_edited_edited.jpg
SCENOGRAPHY created by Charlotte Macaux Perelman

RETROSPECTIVE ─ For Milan Design Week 2025, Hermès returned to La Pelota with its new scenography by Charlotte Macaux Perelman and Alexis Fabry

CANNOPY

MILAN | ISSUE 15 | PARTNERSHIP

CHARLOTTE MACAUX PERELMAN & ALEXIS FABRY

Artistic Directors of the Home Universe


Charlotte Macaux Perelman and Alexis Fabry joined Hermès as Artistic Directors of the Home Universe in 2014. Driven by their shared passion for objects, know-how, and craftsmanship, they jointly oversee the artistic direction of Hermès Home, Hermès Horizons, Saint-Louis and Puiforcat.


Their new creations were on display this April in Milan’s La Pelota, in colourless suspended boxes, projecting halos of bright colour onto the floor. It is in the immateriality of their auras that the objects first appear, like emotions. This staging aimed to evoke a quest for the object, and for the luminous vibration that makes it familiar.



Maison HERMÈS COLLECTIONS FOR THE HOME MILAN 2025


When removed from the box, the object takes a part of this aura with it. What remains is the memory of its idealised perfection, inseparable from its presence. The object is there, appearing gradually in glimpses and reflections., while space is reduced or expanded by light. These  objects, furniture, and fabrics come alive with reassuring vibration, shimmering with a familiar halo.


An object can be an emotion.


WWW.HERMES.COM 


bottom of page