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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

HUBS & HUDDLES

Hubs & Huddles; Multi-purpose Performance Centres

MULTI-PURPOSE PERFORMANCE CENTRES — Covering the history, mission, and personnel behind leading international performance hubs.

Xavier Dolan by Shayne Laverdière
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Royal Opera House

ISSUE 16 | LONDON | HUBS & HUDDLES

GUIDED TOUR ─ The Royal Opera House promises accessibility and grandeur—but can one of the world’s great stages reconcile tradition with inclusion?

Xavier Dolan by Shayne Laverdière
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The Tranzac: A Case Study in Third Places

ISSUE 14 | TORONTO | HUBS & HUDDLES

Artistic hubs are in danger of becoming either profit-engineered businesses─or disappearing entirely.

Xavier Dolan by Shayne Laverdière
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Interplay at Banff

ISSUE 15 | BANFF | HUBS & HUDDLES

One summer program, two new Canadian opera productions, and a new roster of creatives launched into the industry

Xavier Dolan by Shayne Laverdière
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Toronto Summer Music turns 20

ISSUE 15 | TORONTO | HUBS & HUDDLES

INTERVIEW ─ Outgoing Artistic Director Jonathan Crow joins Cannopy for an exit interview before another violinist takes First Chair

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