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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

ELLINGTON

Ellington column, which features jazz vocalists and instrumentalists

JAZZ VOCALISTS & INSTRUMENTALISTS — Covering global jazz music, from virtuoso instrumentalists to emerging vocalists and legendary lyricists.

Xavier Dolan by Shayne Laverdière
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Off the Record: The Vernon Spring

ISSUE 15 | BRIGHTON | ELLINGTON

INTERVIEW ─ On his latest release, “Under a Familiar Sun”, Sam Beste delivers a deeply empathic pianistic jazztronica

Xavier Dolan by Shayne Laverdière
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Alan Braufman’s Top 10 Jazz Albums

ISSUE 13 | ELLINGTON

For this installation of DECA—our inter-issue series inviting artists to curate top-ten lists—the American saxophonist reflects on the albums that helped shape his latest release

Xavier Dolan by Shayne Laverdière
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Julian Lage

ISSUE 12 | NEW JERSEY | ELLINGTON

On Layers, View with a Room, the gritty warmth of his guitar sound

Xavier Dolan by Shayne Laverdière
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Off the Record: Samara Joy

BRONX | ELLINGTON

A voice at once familiar and new, charting a path through jazz’s past while shaping its future with grace.

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