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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Antoine Hunter’s Urban Jazz Dance Company

Urban Jazz Dance Company in "Deaf's IMPRISONED" - Photo by Robbie Sweeny Courtesy of UJDC

“We are the music that we see”

WORDS BY ERIN BALDWIN | SAN FRANCISCO | PERFORMING ARTS

FEB 27, 2023 | ISSUE 11

Purple Fire Crow – also known as Antoine Hunter – is an African, Indigenous, Two-Spirit, disabled, and Deaf dancer who resists expectations to prove that dance is for everyone. Hunter built a dance career by feeling music through its vibrations and using movement as a form of self-expression, communication, and education. Today, the Bay Area native acts as Artistic Director to the Urban Jazz Dance Company, a performance collective that consists of both deaf and hearing dancers, and produces the Bay Area International Deaf Dance Festival with the aim of giving Deaf artists a platform for presenting themselves to the world. Hunter also continues to work as a dance instructor, speaker, mentor, and Deaf advocate in the U.S. and internationally. He’s performed both to general audiences and school children, and lectured at Kennedy Center’s VSA, Harvard, Duke University, and the National Assembly of State Arts. Hunter joins smART Magazine to discuss the origins of his company, using dance as a medium for his advocacy and education, and how the arts can continue to decenter ableism and fight against discrimination and prejudice.


sM | How did your journey in the performing arts...

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