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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Camille Thomas

Camille Thomas by Christian Meuwly

The cellist on the roof: finding hope in high-up places

WORDS BY SAM HAWKINS & MICHAEL ZARATHUS-COOK | PARIS | MUSIC

NOV 16, 2022 | ISSUE 7

Eighteen months after starting her world-famous rooftop performances in Paris, cellist Camille Thomas takes a moment to reflect before her  upcoming  international tour. Having endured the isolation and anxiety of two national lockdowns, Thomas is unmistakably cheery. Her city, it seems, is returning to some level of pre-pandemic normalcy, as both artists and audiences take their seats on either side of the stage.


Since her rooftop videos went viral, Thomas has been busy: performing in a number of Paris’s cultural landmarks—the Palace of Versailles, the Louvre, and the Museum of Natural History, amongst others—as well as planning her upcoming tour. A true believer in art’s power to bring people together, she is known for her optimism, vitality, and joyful exuberance. With a fourth studio album under her belt—the first classical project recorded in partnership with UNICEF—she’s shown that her altruistic attitude isn’t just lip service. As life in Paris picks up where it left off, Camille reminds us that music is more than just melody and rhythm. It’s hope and beauty—something good for the soul.

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