top of page
True north compass True North compass logo with a bold, stylized north arrow pointing upwards.

C A N N O P Y

Art is True North

  • image_processing20210629-17620-1uwdtt3
  • Instagram
Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Collins Obijiaku

HOMEPAGE SLIDE SHOW_edited_edited.jpg
Collins Obijiaku in studio - Courtesy of the artist and Roberts Projects, Los Angeles, CA

An emerging portraitist in search of new postures and perspectives on the African continent

WORDS BY NAVYA POTHAMSETTY | ABUJA | VISUAL ARTS

FEB 23, 2023 | ISSUE 11

Collins Obijiaku’s portraits are relatively simple: a profile of a single person against a simple background. Born in the Kaduna region in northern Nigeria, the internationally-exhibited, self-taught artist is now based just north of Abuja─the strategically central capital of the nation. The deceptively simplified surfaces of Obijiaku’s creations belie miles of depth beneath the facade of their sartorial expression, and the identities assumed in their skin complexion. Captivated at first glance, the Obijiaku viewer is invited to observe, on closer inspection, how small differences in clothing, posture, and gaze animate two-dimensional portraits to vivid life.


Obijiaku’s stock has been slowly rising in recent years and across the international circuit of galleries that regularly host diasporic portraitists, such as Kehinde Wiley. In 2020, Obijiaku was invited to participate in the second year of Kehinde Wiley’s Black Rock artist residency program in Dakar, Senegal, a placement that further contributed to his acclaim as one...

bottom of page