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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Hella Feminist

Female Riveters Working

The Oakland Museum of California Delivers a Defiant Feminist Narrative

WORDS BY CAMILLA MIKOLAJEWSKA | SAN FRANCISCO | VISUAL ARTS

MAR 31, 2023 | ISSUE 4

The Oakland Museum of California (OMCA) launched Hella Feminist in late July, an exhibit exploring the fight for gender equity with focus on the San Francisco Bay Area. By incorporating perspectives often excluded from knowledge production and preservation, the exhibit challenges dominant historical and cultural conceptions of feminism. From the show’s curation to its creative partnerships, Hella Feminist imparts a holistic, fresh, and community-focused approach to understanding feminism and gender.


“There’s some really incredible artwork in this exhibition,” said Hella Feminist co-curator and OMCA Curator of Art, Carin Adams. This includes portraits by Los Angeles-based, Bay Area-raised Shizu Saldamando, who paints her friends, creative peers, and subjects from Latin-Punk and queer communities. The Western canon’s influence on our education limits what most Americans consider “appropriate” for fine art galleries. By painting identities that aren’t typically seen in fine art museums, Saldamando hopes to broaden our conception of who belongs in the creation of art and culture.

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