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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
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Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
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Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
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Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Immersive Klimt Revolution

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Immersive Klimt Revolution

A visit to the new Lighthouse Immersive Exhibit

WORDS BY CAMILLA MIKOLAJEWSKA | SAN FRANCISCO | VISUAL ARTS

MAR 21, 2023 | ISSUE 4

Immersive Klimt Revolution (IKR) is the latest production from Lighthouse Immersive, the producers that brought audiences Immersive Van Gogh, the 600,000 cubic feet projection that sold over 2.5 million tickets in North America. The exhibit promises a vibrant, electrifying celebration of the life and legacy of Gustav Klimt.


Klimt, the Austrian Symbolist painter, has been most connected to the artistic movement Art Nouveau—a gothic style, moving the European art world towards unconventional, organic linear shapes, and psychedelic experimental effects. As black curtains opened and I entered the exhibition, I realized that IKR does now what Art Nouveau did in the 1900s: changing, transcending and transforming traditional ideas of what art

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