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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Lighthouse Chicago

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Immersive Van Gogh Chicago by Michael Brosilow

A conversation with Irina Shabshis and Maria Shclover

WORDS BY AMBER SOLBERG | CALGARY | VISUAL ARTS

MAR 03, 2023 | ISSUE 10

In the heart of the Near North Side Chicago neighbourhood, Lighthouse Immersive planted new roots in a 130-year-old architectural marvel. The Germania Club Building is already an art piece of its own, and now the building hosts the newest, most cutting-edge immersive exhibit: Immersive Van Gogh. Originating in Toronto, this expansion to the Windy City was made possible by the collaboration between Irina Shabshis and Maria Shclover of Maestro Artist Management, and Lighthouse Immersive.


Maestro Artist Management Inc. (MAM) has been operating since 2004 as a production company and has been

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