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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Lucas Debargue

Lucas Debargue by Olga Nabatova

A Virtuoso Challenges the Status Quo Caption

WORDS BY ARLAN VRIENS | PARIS | MUSIC

NOV 15, 2022 | ISSUE 8

Lucas Debargue has all the glittering hallmarks of a star on the rise. After high-profile success at the 2015 International Tchaikovsky Piano Competition, the French pianist has produced no less than four solo albums on Sony Classical, in tandem with a globetrotting tour schedule. After this kind of success, Debargue could be forgiven if he had chosen to settle into a rhythm of crowd-pleasing recital favourites like Chopin, Liszt, or Bach. But, instead, he remains fiercely committed to his core values, advocating for works and experiences that surprise and entice his audiences.


Joining smART Magazine, Debargue outlines a vision for a musical world in which creativity and conviction trump boilerplate virtuosity. He discusses his newest album, Zal - The Music of Miłosz Magin (Sony Classical), and what Magin’s music has meant to him and his friends. He is deliberate in his aspirations to introduce audiences to lesser-known musical territories and describes the complex relationships he sees between contemporary composers, audiences, and performers. Debargue also discusses his own burgeoning work as a composer and his interests in writing tonal music in dialogue with past composers.

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