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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Maya Hughes

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Artwork by Maya Hughes

Pottery as a Mix of Clay, Monotony, and Spontaneity.

WORDS BY EBONI J.D. FREEMAN | MATERIALS

NOV 28, 2022 | ISSUE 8

For artist and potter Maya Hughes, pottery as a medium of art is a balancing act between chaos and order. The process can be repetitive, but each creation always reveals its individuality and specialty. Hughes grounds her emotions into the physical world when she shapes clay on a pottery wheel. She spent a year exploring the Abstract Expressionism movement, loving how the process allowed her to exist in harmony with her emotions. After integrating this abstract style from her paintings to her pottery, Hughes continued to study this theme in more depth. She took pottery classes, completed a three-year apprenticeship, and attended a ceramics development course. Now, four years immersed in this world, she teaches throwing classes and creates pottery for others to enjoy in their daily lives.

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