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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Mikhail Baryshnikov

Mikhail Baryshnikov by Annie Leibovitz

How can something as active as dance be contained in a still?

WORDS BY TASH COWLEY | TORONTO | LIGHTHOUSE IMMERSIVE

NOV 28, 2022 | ISSUE 7

Dance is a medium of action, and is perhaps one of the most difficult art forms to capture in photography. Looking for the Dance, Mikhail Baryshnikov’s latest exhibit in partnership with Lighthouse Immersive, takes up the task of expressing movement in photography. Beginning September 18th, Looking for the Dance will be presented at One Yonge Street in Toronto, alongside select images from his previous series, Dance This Way, and Dominican Moves. For this Canadian collaboration, the acclaimed dancer, actor, and photographer has put together a breathtaking display of his quest to capture dance in transformative moments. It is a document of his journeys, from exploring the milonga and tango of Argentina, to the South Indian Odissi styles. In his own words, “On these journeys, more than the shape, I am looking for emotional impact through colors, gestures, and steps of the dance and dancers.” Despite being stills, the photos are vigorously alive. After the success of the exhibition, inaugurated in 2013 at the Contini Art Gallery in Venice, and its subsequent presentation at the Cortina d’Ampezzo location, Baryshnikov’s series makes its way to Toronto.

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