top of page

Mischa Maisky in Toronto

“The only thing I try to do is to destroy Bach’s music as little as possible.”

WORDS BY ARLAN VRIENS | TORONTO | MUSIC

NOV 14, 2022 | ISSUE 9

Mischa Maisky by Kalya Ramu
From _After Dark__edited.jpg
Mischa Maisky
From _After Dark__edited.jpg
From _After Dark__edited.jpg

“I haven’t discovered the feeling of boredom yet,” chuckles Mischa Maisky. “Bach is never boring at all!” This continuing musical curiosity has no doubt served to cement Maisky’s position as one of the foremost cellists of the 20th and 21st centuries. After formative studies with industry legends Mstislav Rostropovich and Gregor Piatigorsky, he forged a career in collaboration with the highest-profile names in classical music, championing robust, personal interpretations of the core cello repertoire and beyond. Speaking with smART Magazine Editor in Chief Michael Zarathus-Cook, Maisky considers his lifelong relationship with Bach’s cello suites and weighs in on the state of contemporary cello performance.

bottom of page