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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Nils Frahm’s Music For Animal

Nils Frahm ©LEITER

“When you have animals, you probably know that they react to music.”

WORDS BY REBECCA LASHMAR | BERLIN | MUSIC

MAR 13, 2023 | ISSUE 10

German musician and composer Nils Frahm is known for combining classical piano with electric experimentation and beyond. From his vivid scoring for cinematic experiences like Victoria (2015), to multi-artist collaborations like Piano Day Volume 1, his career continues to expand outward. Nils opens up about the artistic challenges of touring, giving undiscovered artists a platform, and why his latest album, Music for Animals, is perfect for both you and your canine companions to chill out to.

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