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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Paola Prestini

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Paola Prestini by Marco Valentin

On Collaboration, Community, and Technology

WORDS BY ARLAN VRIENS | NEW YORK | MUSIC

NOV 15, 2022 | ISSUE 8

On top of her busy life as an in-demand composer, Paola Prestini is a committed collaborator and arts leader; in her capacities as Co-Founder and Artistic Director, she steers the trendy performing arts incubator National Sawdust in Brooklyn. During the uncertainty of the pandemic, she began work on Houses of Zodiac, an album of solo cello music performed by her husband, Jeffrey Zeigler. Inspired by collaborative instinct and an enviable roster of skilled colleagues, Prestini expanded the project into an interdisciplinary multi-platform work knitting together music, dance, poetry, and film. Joining smART Magazine from Rome, Prestini reflects on the value of interdisciplinary collaboration, the increasing artistic possibilities of technology, and the opportunities awaiting the performing arts in coming years.

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