top of page
True north compass True North compass logo with a bold, stylized north arrow pointing upwards.

C A N N O P Y

Art is True North

  • image_processing20210629-17620-1uwdtt3
  • Instagram
Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

#rhodesmustfall

HOMEPAGE SLIDE SHOW_edited_edited.jpg
Illustration By Brandon Hicks

Can the toppling of statues help erect a more comprehensive collective memory?

WORDS BY BEN MCHUTCHION | CANADA | ARTS & LETTERS

FEB 28, 2023 | ISSUE 11

Since the start of the #rhodesmustfall movement in 2015, statues commemorating historical figures complicit in slavery and colonialism have been taken down in various countries. Recent statue removals in Canada follow this trend, suggesting an underlying shift in how Canadians think about their country’s history. Narratives that celebrated colonialism have lost their once dominant position in the national consciousness, leading to historical debates in which statues play a central role.

The sociological theory of collective memory is one tool for exploring the significance of statue removals. Collective memory posits that memory is not only held by individuals, but is also developed and held within social groups. Using this framework, the tradition of public memorial statues can be understood as a highly visible manifestation of collective memory. People with social or political power have often used statues in an attempt to permanently fix a preferred collective memory in the public square.

bottom of page