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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Robert Lepage

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“Biblio”, by Stephane Bourgeois

A conversation with the director, actor, playwright, on The Library at Night.

WORDS BY CAMILLA MIKOLAJEWSKA | CHICAGO | VISUAL ARTS

MAR 21, 2023 | ISSUE 3

sM | How did this collaboration with Lighthouse Immersive evolve, and what might the future hold between Ex Machina and Lighthouse Immersive in the VR space?


RL — We were all very seduced by their approach to the Immersive Van Gogh Exhibit, and how open they were to alternative methods of presentation. The whole world of immersion is fascinating; it’s not just putting something on your head and saying, “Oh, I’m immersed.” It’s about where you go, what it smells like, the people there who you share it with, and I think that’s what the team at Lighthouse Immersive has understood. It’s not just some gadget that you download; it’s a collective, communal event.

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