top of page
True north compass True North compass logo with a bold, stylized north arrow pointing upwards.

C A N N O P Y

Art is True North

  • image_processing20210629-17620-1uwdtt3
  • Instagram
Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Sheku Kanneh-Mason Brings His Elgar to the Toronto Symphony

HOMEPAGE SLIDE SHOW_edited_edited.jpg
Danforth Music Hall - Photo by Miles Forrester

The celebrated cellist delivers some KANNEH-MAGIC

WORDS BY EMMA SCHMIEDECKE | Roy Thomson Hall

JAN 21, 2023 | COMMUNITY

In a 100th anniversary celebration season full of guest stars and eclectic programming,  audiences were treated to an evening in Great Britain (with a splash of Canada) at the Toronto Symphony Orchestra (TSO) this past weekend in Roy Thomson Hall. The program consisted of Ralph Vaughan-Williams’ Fantasia on a Theme by Thomas Tallis for String Orchestra, the world premiere of Canadian composer Gary Kulesha’s Symphony No. 4, and Edward Elgar’s Cello Concerto in E minor, performed by string star Sheku Kanneh-Mason. Nearly the entire program was British-centric: a British opener and a British concerto presented by a British conductor  (conductor emeritus Peter Oundjian) and a British soloist. The evening began with Vaughan-Williams’ beautiful Fantasia on a Theme by Thomas Tallis, a tragically underplayed work outside of its native England. The piece got the audience into the British sound world of sweeping melodies, open harmonies, and string writing of the most satisfying kind, and the orchestra delivered on all three.

bottom of page