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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Street Wise Arts

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Street Wise Arts

When Art Goes Up, Walls Come Down

WORDS BY EBONI J.D. FREEMAN | BOULDER | VISUAL ARTS

NOV 11, 2022 | ISSUE 10

It’s time to look up. Burying our heads in the midst of social strife has never been a winning solution, but how do we make an impact from our tiny corners of the universe? Leah Brenner Clack, Executive Director of the Street Wise Arts non-profit, declares “ARTivism” as the way forward. Through her annual artistic activism mural festival, Clack is creating, refining, and scaling a model for neighbourhoods to put art up, tear walls down, and build equitable towns.

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