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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

That Girl: Performing an Aesthetic 

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Illustration By Alicia Jungwirth

How TikTok commodifies girlhood and renders selfhood as consumerism

WORDS BY RACHEL WINDSOR | ARTS & LETTERS

FEB 28, 2023 | ISSUE 11

To be a girl on TikTok is to align oneself with a recognizable aesthetic: are you “dark academia,” a “coquette,” or a “downtown girl”? Or perhaps you’re “That Girl,” capitalization and all: she’s easily recognizable by her 5am alarm clock, morning green juice, 12-step skincare routine, and faithful five-minute journal practice. We know this about That Girl because she shows us, capturing and uploading the most aesthetically pleasing moments of her ultra-productive routine. It’s no wonder that the associated hashtag has over 7.7 billion views at the time of writing─her performance of selfhood is compelling, but perhaps it’s troubling too. 

Any video uploaded to TikTok is, to some extent, a performance, as social media relies upon representation rather than “real” (i.e. tangible) presence. The concept isn’t restricted to online interactions either: as far back as 1956, Canadian sociologist Erving Goffman suggested that any social interaction “marked by [an individual’s] continuous presence before a particular set of...

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