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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

The Choreography Within

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A Dancer Reclaims His Body by Finally Sitting Still

WORDS BY MARTIN AUSTIN

07-Nov-22

One hemisphere of my pelvis is above and in front of the other. I imagine it floating there in my body, untethered, out of my control. Every morning I sit at the edge of my bed and grip my right knee to “pop” my leg back into the socket; as my pelvis always wiggles away from me while I sleep.


I wasn’t born this way. In my first year at The Ailey School, I was invited to audition for the junior touring company, Ailey II. I was so eager to impress that I brought my arabesque much higher than my body could accommodate. A sharp pain shot through my body, one that I ignored without a second thought exactly as I had been trained to do all my life.


Looking back, I wish I had heeded my body’s warning. But how could I have known? At that time, considering the possible consequences, or even considering anything beyond the world of dance, proved difficult. In fact, my world outside of dance – anything outside my own body – had always...

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