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The DNA of the TSO

As the Toronto Symphony Orchestra celebrates 100 years, a new vision takes hold

WORDS BY ARLAN VRIENS | TORONTO | PERFORMING ARTS

MAR 07, 2023 | ISSUE 11

Gustavo Gimeno and the TSO - Photo by Allan Cabral
From _After Dark__edited.jpg
Gustavo Gimeno - Photo by Allan Cabral
From _After Dark__edited.jpg
From _After Dark__edited.jpg
The Toronto Symphony - Photo by Jag Gundu

In 2020, Spanish conductor Gustavo Gimeno took up a new post as Music Director at the Toronto Symphony Orchestra (TSO). The timing could not have been more challenging; the COVID-19 pandemic immediately disrupted any kind of consistent planning, even as the TSO geared up to celebrate its centennial in the 2022/23 season. But under the leadership of Gimeno and his artistic team, the TSO has returned triumphantly to the stage, combining world-class orchestral quality with a series of initiatives which respond to this unique cultural moment.

The TSO’s renewed joie de vivre is on full display in the Celebration Preludes, a set of ten three-minute orchestral works commissioned from Toronto-area composers to commemorate the orchestra’s centennial and its beloved home city. Speaking with smART Magazine, it’s clear that the Celebrations project is an evolution of Gimeno’s love for Toronto’s vibrant cultural scene. “As we searched for these works, we wanted a variety of styles and backgrounds because that’s what’s faithful to Toronto and to Canada,” he reflects. “We started this project from a desire to hear different voices, and especially those who are under-represented. And from that starting point, by definition, you also get contrasting styles of composition, especially where composers choose to bring in folk music influences. For example, in Luis Ramirez’s Mi Piñata there was a clear influence of Mexican folk music, and Iranian folk music came through in Afarin Mansouri’s Mithrā.”

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