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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

The Flying Sailor  

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"The Flying Sailor"

“Imagine the story of the sailor’s flight as a subjective, visceral, slow-motion ballet”

WORDS BY RACHEL WINDSOR | CALGARY | IN FOCUS

FEB 28, 2023 | ISSUE 11

IDEATION 


sM | What was your journey towards the telling of this story, and what larger motivations propelled the realisation of this project?


AF&WT ── A number of years ago we visited the Maritime Museum in Halifax and discovered the section dedicated to the Halifax Explosion. Oddly, we can’t remember if we already knew about that catastrophic event or not. Few Canadians are familiar with it─and that was particularly true before the famous Heritage Minute was made. Among the displays was a short blurb about a British sailor who was blown skyward from the pier and flew two kilometres before landing uphill, naked and unharmed. We were intrigued! What did he see? What did he hear? What was he thinking? The story brimmed with animation potential. Inspired by accounts of near-death experiences, our idea was to expand those few chaotic seconds into as many minutes, and imagine the story of the sailor’s flight as a subjective, visceral, slow-motion ballet. Our aim was to show that our lives are at once fleeting, precarious, profound … and, in the grand scheme of things, utterly insignificant.

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