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Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

TODOS Productions

Santiago Guzmán by James MacLean

New Canadian perspectives on cultural convergence in cinema

WORDS BY AMBER SOLBERG | ST. JOHN’S | PERFORMING ARTS

FEB 27, 2023 | ISSUE 11

Santiago Guzman is not afraid of his own voice. As a writer, actor, producer and dramaturge, this multi-talented creative is making space for new stories in Atlantic Canada’s theatrical circuit─and he shows no signs of slowing down. After graduating from the Memorial University of Newfoundland and Labrador with a BFA (Majoring in Theatre: Acting), Guzman jumped into connecting with theatrical circles and festivals within Atlantic Canada. In casting however, few casting directors were looking beyond his appearance for what he had to offer. Not the type to stay typecasted, Guzmaz responded by founding the theatre company TODOS Productions, which fosters the work of “Black, Indigenous, Artists of Colour, 2SLGBTQAI+ artists, landed immigrants and artists with disabilities.” Exploding into this new decade with work reflecting the voices of newcomers and the “NewfoundLanded”, Guzman is also bringing his personal experiences to the stage. With works like ALTAR, recounting the story of a young queer immigrant from Mexico living in Newfoundland whose new boyfriend “ghosts'' him, this performance is layered with multiple meanings on “ghosting” and spirits, connections to loved ones present and past...

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