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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Xiaoyu Weng at the AGO

Xiaoyu Weng by Evgeny Litvinov

A Fresh Perspective for Toronto'sTightly Knit Art Community

WORDS BY ISABELLA ELIAS | OLD HEATHFIELD | VISUAL ARTS

MAR 03, 2023 | ISSUE 10

Xiaoyu Weng has a unique vantage point. With international curatorial experience – including The Solomon R. Guggenheim Museum in New York City – she is able to view the trajectory of Toronto’s gallery ecosystem, with its entrenched identities and histories, from a global perspective. Weng has brought her artist-first curatorial practice to the Art Gallery of Ontario (AGO), along with her excitement and eagerness to learn, and now works collaboratively with her colleagues to bring together the tightly knit community, the diverse audience, and the museum collection. Weng joins smART Magazine to discuss the inspiration behind her creative mission and the way our understanding of art shapes everyday connections.

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