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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
 In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Colleen Hennessy

DENVER — AiR TOUR — Issue 9

2. Installation view, Ken Lum_ Death and Furniture, Art Gallery of Ontario. Artworks © Ken

Art by Colleen Hennessy

Colleen Hennessy

sM | How do you think this artist-in-residence program fits into the artist community in Denver?

CH ── As a Denver native, I have observed growing artist opportunities because of this exhibit. The Lighthouse Immersive residency experience is a unique and very special one. Many galleries here come and go, have very high rent to pay, and artists often have to pay to hang work in their space, which leaves out many talented artists due to finances. The Lighthouse Immersive exhibit is a beautiful opportunity for people to enjoy the work of famous artists, such as Vincent van Gogh and Frida

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Continue the AiR tour in print:

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Kahlo, and our local artists as well. Hopefully it will inspire people to visit other venues and support local artists on a regular basis.


sM | What do you find most exciting about the current atmosphere in Denver's visual arts community?

CH ── The Mile High City has a vibrant creative community, with neighbourhoods being rejuvenated and galleries popping up all over Denver. I love driving past all the murals, attending openings, and meeting new artists. Our city has stepped up with monetary aid, such as the Urban Arts Fund for murals. There are a lot of creative outlets here. We have numerous arts organisations, opportunities, and venues for taking classes.


sM | What inspiration do you get from artists around you?


CH ── I love to make photographs of architecture, faces, and landscapes and work on a couple of pieces simultaneously. I come from a photography background, and looking at other photographers’ and painters’ works often generates ideas. It is great to see how different artists approach the same subject. Other artists’ work can be a wonderful way to learn, get inspired, get ideas, honour an influence you love, and create something new. All art is a mashup of ideas, and we can all influence one another, so long as we are creating and sharing from a place of honesty and transparency.

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