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C A N N O P Y

Art is True North

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Hubs & Huddles column of Cannopy Magazine, which focuses on multi-purpose performance centres
Ensemble column, which highlights classical artists and ensen, which highlights classical artists and ensembles
Ellington column, which features jazz vocalists and instrumentalists
Studio Sessions column, which focuses on in-depth artist profiles — particularly visual artists in their creative spaces
Materials column, which focuses on artists working across various creative media; Profiling Various Creative Media
Spaces column, which highlights galleries anSpaces column, which highlights galleries and exhibit venuesd exhibit venues
Fourth Wall column, which focuses on the global theatre industry
In Motion column, which focuses on the global dance industry
In Focus column, which highlights the global film industry
Alt.itude column, which focuses on global alternative music
Homegrown column, which highlights Canadian alternative music
Arts & Letters column, which focuses on essays, opinions, and ideas related to the arts

Jun Yang - San Francisco


The Lighthouse Immersive Artist in Residence program was designed to give visual artists a unique opportunity to showcase their work within Immersive Van Gogh exhibitions across North America. Artists are invited to create work during their residency around the theme of Vincent van Gogh all whilst surrounded by a community of art enthusiasts at the onsite venue. This gives local artists an opportunity to build connections, create networks, collaborate, and share work with other artists and the general public. We spoke with the Project Coordinator Kelsey Sewell about the motivations behind the project, and Jun Yang, San Francisco’s outgoing resident artist about his experience over the course of his residency.

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Jun Yang in his studio



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